Tuesday, December 13, 2011
Baden-Baden on a Shoestring
Friday, January 21, 2011
The Citadel, Hanoi, 13 December 2010
Left along a street lined with sewing supply vendors, things are a bit more lively, but only a bit.
A patisserie decorated for Christmas.
A temple on the corner.
Bird market.
Past the coffin maker, and a funeral.
Further down the street, railroad tracks run right past houses. Around the corner and down the street a little further is another set of tracks.
They are used, but perhaps not much.
At the Army Museum, across from Lenin's statue, the guard at the entrance gate shakes his finger. It's closed, of course. Monday. The Highlands Coffee wedged into the edge of the complex seems unappealing, so I walk on.
Up the street and right onto a wide, busy street lined with beautiful old trees, wondering what to do...but there are airplanes over there, across a walled courtyard. Will a finger-shaking guard appear? No, nor does anyone else.
There's also a stone and gold-washed building on the other side of the grassy square.
It's the gateway to the former Forbidden City where Hanoi's royalty once lived.
A shrine upstairs.
A dragon on the roof.
The steep stairs down.
On the other side of the Doan Mon relic, the signs for tourists are in place.
A symbol of Hanoi's imperial rulers, at the place where the nation's sacred spirits are supposed to converge.
Little is blocked off. Steep staircases lead to more little rooms with shrines, surrounded by large balconies.
But there's little hint of what these buildings once were. The blue signs are cumbersome to read in both English and French, and though the buildings are beautiful they evoke little. It's difficult to picure mandarins dressed in silk moving with grace from one building to the next, or a king's children at play. The Citadel is empty.
Thursday, January 20, 2011
Hanoi, 10-13 December 2010
Outside, the gold-painted buildings should glow in the sun, but there isn't any.
Hang Dao shopping street.
Under the canopy of electrical wires along Hang Bo.
It rains on and off, a dull, chilly drizzle. The roaming doughnut vendors needn't bother to try keep their baskets dry in the rain. The greasy, sugared balls of dough they sell are inedible anyway, a mere pretence used to extract money from hungry drunken foreigners. The baguette vendors on the corner work twice as hard as usual, though, trying to keep their product dry. They are the only ones who seem to mind the rain. The flower vendors are better off. Their sheaves of roses and gladioli ride the backs of their bicycles, fresh and colorful from morning until night. The fruit vendors trot the streets of the old quarter dressed in plastic rain ponchos, pausing at each shop door to sell the workers an afternoon snack.
A woman selling plastic ponchos and cheap little umbrellas chases a couple of European boys down the street, teasing them into buying an umbrella. The jacket vendors on Hang Ngang have extra customers, all hoping to keep warm. The pho shops and Bia Hoi stands do a roaring business all over town.
Fried tofu and frog's legs with bamboo shoots in a Bia Hoi near Hoi Tay. There are four men at the neighboring table. They've been drinking vodka, from all appearances for a long time, for their table is solid with empty plates. One realized that their are foreigners at the next table, and speaks in broken German. After a time, he remembers that he has an appointment and weaves off down the street. Two men remain, peeling little tangerines quietly.
In the Botanical Garden or around Hoan Kiem Lake, bridal couples make the rounds, getting photographed in spite of the gloom. When the skies open, they retreat to the nearest cafe still in full dress to smoke until the shower passes. They spend more time waiting than getting their pictures taken, so that the photograpers are still shooting at dusk.
Christmas decorations twinkle in the darkness, and not just in the tourist district. There's no Santa Claus in the mall, but parents have brought their dressed-up babies along to photograph them under the shopping center's Christmas trees.
A Christmas tree outside a cinema on Hang Bai.
A cotton snowman near the north end of Hoan Kiem.
On Monday, museums are closed. The Citadel is deserted, and it's not even clear that it's open.
The gateway to the former Forbidden City.
The shrine in the gateway's upper story.
A dragon on the roof.
The steep staircase.
On the other side of the Doan Mon relic, the signs for tourists are in place.
A symbol of Hanoi's imperial rulers, at the place where the nation's sacred spirits are supposed to converge.
Friday, November 19, 2010
Durga Puja 2010
15-17 October, 2010
The car drives past just one Durga Puja site along the road on the way to the airport. It looks like any wedding or "function" site, slightly decorated and full of placid, orderly people. I have the faintest twinge of regret that I will not be able to see the puja firsthand, but it is fleeting. It would have been nice to tell my father that I'd seen a Durga Puja in India, if nothing else. But I would much rather be in Mumbai than in dusty old Tamil Nadu. The the cab speeds towards the airport.
Coimbatore's new terminal is not changed enough that I really notice the renovations, but I am still not used Mumbai's new terminals. They are such an improvement that they seem almost unreal; they might any moment melt away, leaving the old, dingy rooms built of yellow linoleum and stained walls behind. Outside the airport, though, Mumbai is smelly and grubby and humid, just as it has been for the last 25 years, 250 years, 2500 years. I take deep breaths of city air and am glad.
But tonight Mumbai is different. There are lights, and a golden yellow gateway with an image of Durga on it. I peer down the alley as best I can, catching a glimpse of crowds and flowers, but not the idol. Too bad. I am far from my hotel. There can be no coming back to see the celebration. But we drive past another awning, and another. Fairy lights are everywhere. Occasionally I hear drums. There are pujas on every street, down every alley. At one intersection, there are lights all around, a dizzying golden circle more reminiscent of Vegas than anywhere in India. As the cab approaches Colaba, the tiny lights dwindle and fade away. The streets are too narrow, the real estate is too expensive. Publicly making room for Durga is not the province of the wealthy.
The next day I find a puja site, though, just north of Colaba, near the fishing village slum. It is not so very far from where I'm staying, but it still doesn't seem likely that I'll get to go. After all, I'm traveling with someone who has gotten tickets to the first ever Mumbai Oktoberfest. The German wheat-idol and the Bengali overcomer of obstacles seem hardly likely to meet.
But fate smiles, if only for a moment. Hunting for an after hours bar after the Oktoberfest closes (not my idea), we come upon a festival. There's music, and at one end of a cement yard surrounded by a very low wall sits a large, vaguely Asian-looking idol. With her pink skin and averted eyes, and she looks more like Mary than Durga to me. Still, she is beautiful. We have stumbled into a slum, though I suppose one of Mumbai's better slums. The people live in little box apartments in buildings somewhere between doll house and house of cards. The front of each building is completely open, so there is no privacy at all. It looks as if the two-story constructions could cave in on themselves at any moment. But they don't. Old people perch at the appartments' edges, cuddling their grandchildren and watching the dancing. Mostly young people dance, and there are plently of children making the rounds. The outer circle of dancers goes clockwise, the inner counterclockwise. A dancer meets her partner, taps his stick with hers right, left, taps her own together once, one more right tap, and on to the next partner. (I say her and his, but it's completely mixed.) They go round and round, sweating and mostly smiling. Everyone wears bright new clothes, but the two girls scheduled for marriage this year are immediately visible. Some expense has been taken to dress them. Both wear red and green skirts and tops decorated with plenty of gold foil and rhinestone jewelry. But one is much prettier than the other, and they both know it. The wide-faced, doe-eyed beauty laughs and smiles as she whirls round and round, carefree youth incarnate. The other does not smile once. Does she know the boy she's in love with is promised to her rival?
It is easier to watch the much younger girl in a black dress trimmed with silver foil. She is thin, nearly scrawny, with a long, narrow face, and might never grow into a beauty. Nevertheless, I cannot help feeling better when I look at her. She dances with attack and abandon, every ballet teacher's dream. Surely such energy and determination can only meet with success. And who could resist the two young teenage girls, dressed in their best but not overdone, giggling at the private jokes they exchange with their eyes. A single word from one to the other produces gales of laughter, but they never miss a step. A much older woman dressed in a rust chiffon and gold foil sari dances past. Surely she is a chaperone, but she looks as happy as the kids. Joy makes their lives beautiful if only for a night or two.
All are not so joyful, though. A tall, thin young family appears. The woman holds her baby in her arms, her husband follows behind. They join the dancing but are are grim, tapping their sticks listlessly, never giving a hint of a smile. They make two or three rounds and retreat to an apartment to watch the dancing in silence. Even the baby is solemn and quiet.
My companion and I lean on the wall around the compound. About twenty young men keep us company. After a few minutes, we are invited to join the dancing. I would love to, but I don't know the rules and fear of showing disrespect holds me back. They are still dancing when we leave. Probably they go on all night.
The party isn't over even then. The next night on the road between the domestic and the international aiport, the streets are blocked with trucks carrying young men and Durga idols. Boys throw fireworks and shout. The driver, a Muslim, gazes grimly around him, inching forward against all odds. My progress is so slow that I fear I might miss my flight. The driver is determined, though. We gradually leave the joyful noise behind.
Tuesday, October 26, 2010
No matter how well you plan...
Saturday, October 23, 2010
Eggs really do grow on trees
Thursday, October 7, 2010
Topslip
Most tourists pass through Coimbatore on the train, or perhaps get off to only change trains and while away a few hours at the KR Bakes across the street from the station. Though it's among Tamil Nadu's largest cities, it's just a mill town. There's not much to see. Coimbatore is, however, a good starting point for a trip to a nature reserve. So we set off, more than 10 ill-assorted foreigners crammed into three cars. Our goal is Topslip in the Anamalai mountains, 800 feet above sea level and a self-proclaimed biodiversity hotspot.

By the time we're done, it's too late to drive up to the Topslip preserve, so we're sent towards Valparai. At first, the drive is scenic. We pass a cocoa plantation and a pond of pink lotuses. A goatherd with a bushy white beard drives his flock along the roadside. Later, we catch a glimpse of two giant stone horses painted ice blue, village guardians according the slender young guide the hotel sent with us.

Across from the entrance to the waterfall is a path that leads to a wildlife sanctuary, but come early if you'd like to go for a walk in the forest. The guard only lets a certain number of people enter each day, and we are far too late to be allowed in.
Frustrated, we tell the guide we will stop at the dam on the way back after all. The sky is dark, but our legs are cramped. For four rupees plus a little more for a camera--bringing a video camera in runs 200 INR but a still camera was only 10 or 20--we are allowed in the park. I don't count the steps up, but there are many. The reservoir is surrounded by hills and quite pretty, especially once the pouring rain has chased the rest of the tourists away.


Soaked, we buy peanuts and cookies from the vendors that line the road back to where we parked and climb into our cars. The way back to the hotel in the rain and dark is no joke, but we make it to Cotsvilla alive.
Unfortunately, the roof to one of the cottages has leaked all over part of our group's luggage and the hotel can't offer them another room. The rest of us accommodate the unfortunate ones in our rooms, and no one receives a discount for the inconvenience. The waiters do, however, agree to bring our dinner to the shared living room. This means they are trudging through the pouring rain and mud, not us. They do bring it, a little at a time. Fried chicken is the starter. It's more bones than chicken, and most of us give up after pricking our tongues on shards of chopped-up bone. Chapatis, flat, whole-wheat bread, and a rich chicken curry with clove-scented sauce appear. Sadly, it is also bristling with bones. Curd rice, yogurt mixed with rice and a few mild spices, the standard finish to any South Indian meal, shows up before the fried cauliflower, which really ought to have been a starter. A bucket of soupy vegetarian sauce and more bananas finish the meal. The bucket is the same as the ones from which waiters in busy meals-ready restaurants serve vegetables, but sitting on the dinner table it's unappealing enough that even our token vegetarian ignores it. It's Gandhi's birthday, a dry day, so we don't get to test Cotsvilla's bar. The young waiters were good enough to store the beer we brought with us in the kitchen fridge when we arrived, and they bring it at the beginning of the meal.
The next morning dawns clear and sunny, though those of us used to hill stations know better than to trust the weather. We should get straight into our cars and drive up to Topslip, but instead we hang around drinking thimblefuls of coffee and hoping for breakfast, lingering over appams and vegetable curry, and waiting yet longer for omelets.
The ride up the winding road to Topslip is scenic, but not recommended for those prone to car sickness. At the first barrier, buy entry tickets and check them carefully. It's 30 INR for two people, more for each camera and car. The ticket office is another stretch of long, winding road away from the reception area, and no tickets are sold at the entry point. Those whose tickets and parties don't match are sent down the hill to rectify the situation.
Buses leave the entry point periodically, taking visitors around the park and to the elephant riding trek. But we've just missed a bus and cannot wait for the next one; evening flights out of Coimbatore can't be missed.
Some lengthy discussion later, we learn that we can hire guides to take us into the park on foot. One guide is 500 INR for two hours and can accompany up to five people. The guides are slim, dark youths with scant English and no park ranger uniforms. One has a machete, used for hacking through brush, not fending off tigers, even though the board in the reception office shows that the last tiger sighting in the reserve was yesterday. Nevertheless, tigers are unlikely to be interested in our large, noisy group. It's elephants we should worry about.
Actually we are not particularly worried about elephants, either. We anticipate an Indian walk over pavement and through aisles of snack and souvenir shops, not an actual trek. It doesn't even occur to us to be worried about sandals on slippery ground.
We are silent. I hear crunching and rustling, and after a moment an elephant's trunk pops up above a clump of bushes to pull leaves from a tree. A loud rustling in some trees far to our right distracts the guide. “Nilgiri langur!” he announces. Perhaps. I see the branches moving violently as something swings through the trees, but the monkey is too clever to be seen. I turn back to the elephant, which is still throwing its trunk above the bushes to pick leaves. It is wonderful to see, but I can't possibly get a photo at this distance. One of the guides watches me zip my camera back into its bag.
He hushes us and leads the way towards the trees where the monkeys are playing. We follow as he hacks through the brush, then slide after him down one horribly muddy hill and up another. He hushes us again and gestures us to stay back while he tiptoes on. After a minute, he waves us forward and, also with gestures, asks for my camera. I inch up until I see what he sees. We're on the other side of the elephants we saw earlier, but are now much nearer, probably closer to the creatures than is really advisable. The guide takes my camera closer yet, and snaps pictures until he gets one of its face.
The women in the group hang back and whisper about the French tourist who was killed by an elephant last year. Apparently elephants cannot bear a camera's flash. The men move forward, anxious to show that they're brave and to get the most out of the experience, but none moves as close as the guide. After a few more minutes, the guides hurry us away.We move further up the hill, but that is a mistake. It starts to rain, and quickly to pour. We huddle under a tree and drip. One guide tries to tell us about a guesthouse further up the hill, but we cannot all agree to move until the rain abates, and by then it is too late to go further. We slide down the hill, stepping over elephant scat all the way. The paved road is in sight when we hear rustling overhead. It is a Malabar squirrel, the guide informs us. It is huge, like a monkey-squirrel hybrid, and it leaps from branch to branch high above us with casual grace, ignoring the intruders on the ground.
At the pavement's edge, we stop to pick leeches off our feet. We all have at least three, and those wearing shoes and socks are not spared.
Soaked and muddy, we slog back to our cars and make our long, wet way back to Coimbatore in time for the plane out.



